The compositions themselves are abstract, but clear, evocative and varied. She writes descriptions of them including the steps she took to compose them (connect a sawtooth wave to an old-fashioned plate reverb, convolved with a human voice, etc) which give them a wonderful DIY / opensource / antiobscuritanist feel. Some favorites thus far: #4 Radioactive, #7 Dusky in Flight, #11 I Agree With T
Hir project statement is very forward-thinking in terms of independent music business:
I think commissioning is the answer to [the dilemma of independent music distribution]. The commission amount covers costs. The fans get something real in return - their name attached to the work - a credit as an integral part of the creation. Because as the RIAA knows and fears, the fans have been integral all along. This is one answer to the question of how smaller artists can thrive in a direct-to-consumer, sharing sort of environment. The gift economy! The commissioner gives money to the artist who gives music to hir fans. Like other gift economies, the value of the gifts grow as it spreads to more and more people. Instead of fighting the internet economies of data, this model requires it.
[...] If somebody gets this concept to work in practice, then we have the new model. So here’s my trial seeking a proof of concept. Music can be free and artists and fans can cooperate and thrive without leech-like corporations persecuting both.
To support this cool project I commissioned two works:
- #15 Space Corridor (which I'm looking to embed in a future Men of Science song)
- #20 Poodleface Birthday (commissioned for Rob's birthday)
Her ideas and commissions based independent music are already catching on! poodleface is planning to do short commission albums in the future.
Get them while they are hot!